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Plot synopsis
It's the 1980s and a struggling young Irish couple, Johnny and Sarah,
sneak into the United States with their daughters Christy and Ariel to
begin a new life in New York City. They've lost their son and brother,
Frankie, to a brain tumor, and all four of the surviving family members
are having a hard time, though each has a very different way of coping
with the pain. In a beat-up old station wagon, they enter the U.S. at
the Canadian border, pretending to be just another happy family on
holiday. They end up moving into a gargantuan semi-abandoned loft in
Hell's Kitchen, in an apartment building where the neighbors are
constantly shouting each other, often in languages other than English,
and every other person seems to be a drug addict. But for Ariel and
Christy, at least, America's a wondrous and magical new world to
explore. The younger, effervescent Ariel dives into it all with glee,
making friends in the unlikeliest of places and finding fun amidst the
squalor; the older, more reserved Christy absorbs it all from the behind
the lens of her beloved camcorder, occasionally looking towards her dead
brother to help her make sure that everything goes all right for their
family. Whether it's digging into diner food, watching E.T. on the big
screen, or demanding Halloween treats from the scary neighbor who
eventually becomes a true friend to the whole family, Christy and Ariel
eagerly embrace their new life in America. For Johnny and Sarah as well,
the healing process slowly begins, as they renovate the apartment,
rebuild their lives, and rediscover the joy and the strength that can
come from love, family, friendship -- those ties that even death can't
sever.
Review
Hell's Kitchen in the early 80s isn't exactly high on my list of
historical places and times it would have been fun to have experienced.
But in Jim Sheridan's In America, that world looks like a fairy
tale at times, as a derelict apartment building becomes a sort of
enchanted castle, complete with lovely princesses, a noble prince, and a
fairy godmother -- er, make that godbrother. Johnny, Sarah, Christy and
Ariel might live in poverty, but there's nothing poor about their lives.
It's not that the script glosses over the difficulties of being an
illegal immigrant with no money -- we see actor Johnny slogging through
one unsuccessful audition after another, we sit on the edge of our seats
as he nearly loses the family's entire puny savings over some dumb
carnival game, we feel for Christy and Ariel when their homemade
Halloween costumes, the only ones in a sea of sparkly-new bought
outfits, garner them a sympathy prize from the nuns at their school.
Their lives aren't easy, but in it's best moments, In America
shows how the things that really make a life rich -- love and a whole
heap of imagination -- don't have anything to do with fat bank accounts
at all. Sadly, the second half of the movie doesn't quite sustain the
magic; it's not the fault of the actors, all of whom are marvelous, but
as the movie starts worrying about tying together the pieces to create
some semblance of a plot, we just don't get as many of the nice little
slice-of-life bits that form the movie's first half, and make the family
so palpably real. Still, In America's brimming with so much hope
and loveliness that you can't help but feel thankful for the fuzzy-warm
feeling it leaves inside.
—reviewed
by Yee-Fan Sun
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