..
|
rented
any good movies lately?
jump
to the
boards
and recommend it.
|
. |
help
support digs ... shop for movies, books and more at the digsShop,
or donate to digs directly!
|
. |
copyright ©1999-2004
DigsMagazine.com.
|
Plot synopsis
In a Mobile Army Surgical Hospital during the Korean War, it's a day-in,
day-out, struggle to make sure that despite the chaos of sitting smack
in the center of a bloody war, life wins out in the end. As an endless
stream of injured soldiers arrives, the doctors and nurses work hard to
save their patients' lives. To keep their own lives bearable, they play
hard too, finding fun and relaxation, camaraderie and comfort, all in
the unlikeliest of places. At the center of MASH hijinks are Hawkeye
Pierce and his willing partner in crime, Trapper McIntyre - dedicated
surgeons, committed jokesters, and frequent rabble-rousers. Whether
they're fighting the bureaucracy to make sure they can give their
patients the best care possible, or gleefully devising some prank at the
expense of the oh-so-serious colleagues who favor protocol over good
common sense, Hawkeye and Trapper are determined to remain fun-loving,
free-thinking individuals in an institution that doesn't exactly
encourage those traits.
Review
My favorite kind of funny has always been the sort that treads the line
between serious and silly, the sort that makes you laugh at things that
everybody knows you're not supposed to really laugh at. To me, that kind
of humor has always seemed more true to life than the slapstick, jokey
variety; it has a depth, a weight, a connection to something real, that
makes it stick with you even after you've let out that little chuckle or
big guffaw. Which explains why I love Robert Altman's M*A*S*H,
despite the fact that its sense of humor is very dark, deeply un-P.C.,
and occasionally a tad mean-spirited. It's easy for me to laugh when M*A*S*H
casts its satirical eye at hypocritical religious nuts or pompously
ineffective bureaucrats, people and ideas and institutions I'm liable to
mock myself. What's harder is deciding whether to laugh when it's at the
expense of someone I can partially identify with. As a woman, I feel a
little outraged whenever Hawkeye, Trapper and the rest of the boys
harass Margaret "Hotlips" Houlihan. Are they teasing her
because she's an uptight military robot with no sense of humor, or
because she's a hot nurse who refuses to give these cocky doctors a
second glance? And does the why really matter, when they're humiliating
someone whose only real crime is trying to do her job in the way she's
always been taught? Altman's heroes are far from perfect -- there's a
lot to adore about the wise-cracking Hawkeye Pierce, but he can be a
downright bastard at times too -- and this is what makes the characters
three-dimensional, and interesting, and provocative. So maybe a part of
the reason M*A*S*H wins me over is because it makes me laugh even
when I'm not sure I want to -- then leaves me thinking about why. But
mostly, there's just something irresistible to me about the way Altman's
quirky, freewheeling comedy pulls me along on a ride that leads to the
most unexpectedly amusing places. War is a terrible, tragic thing, no
doubt, but Altman and his splendiferous cast show how it's possible --
maybe even essential -- to keep laughing, keep hoping, keep questioning,
keep living, even when there's so much death and disappointment all
around.
—reviewed
by Yee-Fan Sun
--------------------------->
lounge . nourish
. host .
laze
. home .
|