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copyright ©1999-2005
DigsMagazine.com.
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Plot synopsis
In the kitchen of the upscale German restaurant in which she works as
head chef, Martha is used to having things her way. She goes to
painstaking efforts to create marvelous dishes that are pure perfection
to the palate -- and on the very rare occasions when some customer who
doesn't know much about fine food has the gall to criticize her cooking,
Martha has a pesky tendency to march out from the kitchen and tell the
diner exactly why he's wrong. It's a good thing she's such a genius with
ingredients, because the restaurant's owner is getting a little tired of
having to apologize to berated customers for Martha's bad temper. Martha
just doesn't see why she should make the effort to accommodate stupid
people whose needs, wants and ideas conflict with her own. This
stubbornness and (let's face it) self-absorption extends into her
personal life as well, which is a big part of why Martha lives alone.
But when her sister is killed in a car accident, Martha finds herself
having to deal with a new arrival in her life: eight-year-old Lina, her
sister's daughter. No one knows much about Lina's father, except that
he's Italian, so Martha agrees to look after her niece, at least until
someone can track down Lina's dad. Martha soon finds that caring for
Lina involves far more than just offering her a bed at night, and
between Martha's hectic, late-night work schedule and Lina's acting out,
Martha begins to feel seriously out-of-control of her life. When the
restaurant owner brings in a sous-chef to give Martha a hand in the
kitchen, Martha's not at all looking forward to more upheaval. Mario is
pretty much Martha's worst nightmare, as he's laidback, spontaneous, way
too charming, and a great cook with some strong culinary ideas of his
own. But as it turns out, he's exactly what both Martha and Lina need
right now.
Review
There are some folks out there who will shun any movie that has
subtitles, because in their minds, the presence of subtitles means
Serious Film, and Serious Films require too much thinking and give too
little actual enjoyment in return. It's a shame, because they're missing
out on films like Mostly Martha, which, subtitles aside, is a
pure and effortless joy to watch from beginning to end. The storyline
has been done before -- it's another in a long line of movies about
self-absorbed workaholics who find it takes the unexpected arrival of a
child in their lives to make them realize what's really important. But
this movie is just so well-crafted and acted; Martina Gedeck manages to
make control-freak Martha sympathetic even when she's being cold and
overly demanding, Maxime Foerste's portrayal of Lina resists the usual
child actor cutesy curse, and Sergio Castellito Mario is just impossible
not to adore. Best of all, writer-director Sandra Nettelbeck lets the
characters' relationships develop gradually in a manner that feels
completely natural and believable -- which means that when you get your
inevitable feel-good ending (trust me, it's no spoiler for me to tell
you that), that smile that creeps over your face feels well-earned, not
manipulated. Like my very favorite kind of meal, Mostly Martha
takes simple ingredients and puts them together really, really well. —reviewed
by Yee-Fan Sun
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