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a home + living guide for the post-college, pre-parenthood, quasi-adult generation

01.24.2002

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copyright ©1999-2002
DigsMagazine.com.

It Came from the 70s …
(
musical edition)
by Diana Goodman | 1 2 3
continued from page 1

The songs are dreadful, the characters atrocious (personal fave: mandatory brunette single friend who looks like Dr. Frank N. Furter) and the big numbers are like pouring battery acid in your eyes. Two numbers: the universe's longest, most bizarre musical milk commercial and the construction worker's "straight" dance number are indictable war crimes. This twisted mess, directed by Nancy Walker (aka Rosie the Paper Towel Lady), was meant to bank on the immense popularity of disco. Sadly, disco was being read its last rites, and "Can’t Stop"'s boundless enthusiasm for it, presented as if disco were a revolutionary political statement, is so funny it's almost sad. Gather up your friends, steel your stomach, and prepare to beg them to PLEASE stop the music.

o o o

Coming off of the phenomenal success of Saturday Night Fever, producer Robert Stigwood figured he'd cash in on the BeeGee's popularity by giving them their own movie. Only they wouldn't ever sing any of their own songs. They'd sing Beatles songs, and it'd actually star Peter Frampton. And it'd be a rock opera. And not make the slightest bit of sense. The product of bad thinking and clearly more drugs than even Keith Richards could dream of, Sgt. Pepper's Lonely Hearts Club Band is a level of bad so incredible it's like the fabric of time itself is ripped open.

Sgt. Pepper's Lonely Hearts Club Band 1978
Directed by: 
Michael Schultz
Written by: Paul McCartney (album), John Lennon (album), Henry Edwards
Starring: 
Peter Frampton, Barry Gibb, Robin Gibb, Maurice Gibb
Look it for it under: musical
Language: English

"Sgt. Pepper" revolves, vaguely, around the magical instruments the original Sgt. Pepper used to stop WWI in 1918. Twenty years later, in 1978, (yes, you read that right) Frampton and the Brothers Gibb form the new Sgt. Pepper's band, though they don't appear to use the instruments. (Why no one bothered to use 'em to stop WWII or Korea or Vietnam, we'll never know.) They go off to Hollywood where Donald Pleasance pants "I Want You" at them and makes them big stars.

Meanwhile, the instruments are stolen by another band, played by Aerosmith, who send a variety of henchmen (including Alice Cooper, Steve Martin and some robots who look like the Joan Rivers robot from "SpaceBalls") to steal the instruments because, um, just because. The theft of the instruments somehow makes local real estate depreciate, because the town is then bought up and turned into a den of vice and sin, but with dancing, sort of like if the Jets and Sharks of West Side Story moved to Potterville from It's a Wonderful Life

Back in Hollywood, our "heroes" are serenaded by a woman with glitter make-up that gives her Jabba the Hut eyes and many, many, many shiny sateen outfits are worn. As if things couldn't get worse, the band returns to save the town using clowns, mimes and Earth Wind & Fire, whose usual bizarre dress and antics look positively average compared to all the other eye-raping cartoon silliness. Then Peter, Robin, Maurice and Barry, and their fluffy hair, go beat up Aerosmith. That's right - the BeeGees fight Aerosmith and win. I think Aerosmith quit soon afterward.

don't stop now: more this way!

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